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What Battlefield 1 Needs to Get Right

What Battlefield 1 Needs to Get Right
An evaluation of the Battlefield series' recent mistakes and which it needs to avoid for Battlefield 1.
By: Sean Ridgeley | Editorials in Gaming | Posted: May 16, 2016 1:10 pm
Developer and / or Publisher: x

Introduction

 

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2008 marked a turning point for Battlefield series developer DICE: its brand new Frostbite engine debuted alongside only its second console game in Bad Company, successfully bringing the franchise into the modern gaming era with graphics, controls, and design that are still very palatable to today's audience.

 

 

The studio followed it up with pseudo-remake 1943, another excellent console-only title, and then the big one in Bad Company 2, which united PC and console fans for the first time. Although some long-time fans snubbed their nose at it for the smaller scope, it drew in a ton of new series fans including myself who took the game on its own merits and appreciated it for the design gem that it was.

 

 

The Heart of FPS

 

In retrospect, what made Bad Company 2 as great as it was is simple: it got to the very heart of FPS gaming and left almost everything non-essential to the wayside. Pretty well all you got was a handful of weapons and accessories per class, a few vehicles and gadgets, lots of fun, unique maps (all free, so there was no community divide), and two exhilarating, well-balanced modes in Conquest and Rush (three other not so popular modes were included, but two were more or less aimed at competitive play, and one never came to PC).

 

 

With no real clutter distracting it, DICE was free to focus on the little things that made the actual gameplay so great as well as the big things like map and gun balance. In turn, players didn't have to endure extraneous content and were left with just the good stuff; the stuff that mattered.

 

When Battlefield 3 and 4 arrived in 2011 and 2013, respectively, DICE's minimalistic design approach went out the window in favor of what's known as feature creep. In essence, a development studio and/or publisher feel the need to offer more to the consumer, which can lead to over-complicated design and excessive features that detract from core gameplay development and overall game polish, especially the longer a series goes on.

 

Both games featured a seemingly endless string of weapons, gadgets, accessories (which came in the form of 'Battlepacks' you had to manually open to get your goods, no less), vehicles, maps (a lot of which were paid DLC and divided the community), modes, achievements, emblems, awards, assignments... You get the idea.

 

 

The first key issue with all of this content was that because DICE insisted on making all maps playable on all modes, it spread itself too thin and as a result, a significant portion of the modes and maps were good at best and utterly forgettable at worst.

 

The second is too much content is overwhelming for the player, and inevitably some of it will be unnecessary. I got to the point with both games where when new content came out, I simply didn't bother even though I had Premium; I already had about 100 guns with thousands of accessory combinations to toy with and would never try or master them all even with twice the playtime (I was already many hundreds of hours into each), so just seeing more new content became exhausting. As well, many of the guns were far from memorable or beloved, because again, DICE spread itself too thin, and because it's simply not possible to include that many guns and have them all be wholly distinct from one another.

 

It's difficult to say how much of the blame for feature creep lies with gamers who demand more, more, more and how much of it is a misperception of publishers and developers, but one thing is for sure: there was a significant portion of the Battlefield community that was not entirely happy with Battlefield 3 and 4 but loved Bad Company 2 through and through. Although many might not know it, I believe feature creep and its secondary effects are exactly why. While both games did some things extremely well and could be awfully good fun, they lacked the distilled design and subsequently consistent quality that Bad Company 2 brought.

 

 

What's Old Is New Again

 

Which brings me to Battlefield 1. In a move that shocked everyone, DICE decided to take its next franchise entry to the barely explored World War I era. Though many doubted it could be exciting (World War I has the stigma and misconception of being boring and consisting of nothing but trench warfare), they were shut up quickly when the trailer debuted, and rightfully so.

 

 

World War I was much more barebones than more recent wars which featured more advanced technology and a longer list of popular weaponry. While there were more weapons used during the Great War than many think, a lot were not popular for a variety of reasons. This makes Battlefield 1 a great opportunity to get back to the minimalist design approach of Bad Company 2, and especially Bad Company 2 Vietnam with which it shares many gameplay and aesthetic qualities.

 

And sure, the main Battlefield series is supposed to be bigger in scope than the Bad Company series (as it should be), but finding a middle ground between the two is what we're after.

 

 

Less Is More

 

First thing's first: the game needs fewer weapons. Battlefield 4 featured approximately 80 primary weapons across four classes after all DLC was said and done. Compare that to Bad Company 2 which featured 24, or Battlefield 2 which featured about 30.

 

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80 primary weapons plus a ton of secondary guns, handguns, and gadgets is a nightmare for any developer to design and balance; keeping the count sane means all guns can be distinct, interesting, and well-balanced against all other guns.

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